Works & Registrations
View active compositions, writer records and registration status for UMW Song Assets catalog administration.
Through UMW Song Assets, authors, composers, producers, artists, record labels and catalog owners can request the editorial management of their compositions and their inclusion in the repertoire managed by UMW, in accordance with applicable contracts, mandates and authorizations.
Recording and documentation of compositions
Copyright Protection
We help register your songs with recognized copyright and collection societies to support proper ownership records, rights protection, and royalty tracking across global music markets.
Publishing Royalty
UMW Song Assets helps organize work registrations, royalty collection data, publishing statements and eligible payout information for songwriters and rights holders.
Publishing Payouts (90%)
You keep 90% of the net publishing royalties collected through UMW Song Assets. UMW retains 10% as a publishing administration fee. This applies to publishing/composition royalties and is separate from distribution/master recording royalties.
Publishing Royalty Payouts
Access collected publishing royalties through secure payout options, subject to reporting cycles, minimum payout thresholds, compliance checks and the Publishing Services Agreement.
Publishing Administration Only
You retain ownership of your compositions, recordings, and rights. UMW Song Assets provides publishing administration and royalty collection support; it does not transfer ownership of your music. The 90% publishing payout refers to collected net publishing royalties, not ownership.
Verified Song Registrations
Your works are reviewed and registered with accurate metadata to improve identification across databases, increase royalty matching, and support stronger publishing income collection.
Apply for publishing administration and royalty collection.
Please share accurate catalog and rights details so we can review your application faster.
We handle registrations, publishing percentages, documentation, public performance, reproduction, digital uses, and royalty tracking, in accordance with our publishing agreement with SAYCE.
We process the editorial information of each work, including:
Title of the composition.
Authors and composers.
Participation percentages.
Editor or editorial administrator.
IPI or CAE code, when applicable.
ISWC code, when available.
Performers and related recordings.
Authorized versions, adaptations and derivative works.
Territories and rights included in the mandate.
Evidence of ownership and related contracts.
Administration of public communication rights
We manage compositions that can generate royalties when used publicly in authorized media and venues, including, as applicable:
Radio.
Television.
Concerts and live performances.
Restaurants, nightclubs, and commercial establishments.
Public events.Digital services.
Online platforms and environments.
Other uses subject to collective licensing.
Yes. Distribution relates mainly to the sound recording and the delivery of releases to DSPs. Publishing relates to the composition, songwriters, splits, registrations, and publishing royalties.
A Performing Rights Organization (PRO) collects royalties on behalf of composers and publishers. UMW Song Assets supports work registrations, metadata accuracy and publishing royalty collection through recognized PROs and collection partners, helping improve royalty matching, reporting visibility and collection opportunities across eligible territories.
Below is a current list of some PROs for different countries.
Argentina — SADAIC — https://www.sadaic.org.ar/
Australia — APRA — https://apraamcos.com.au/
Austria — AKM — https://www.akm.at/
Bélgica — SABAM — https://www.sabam.be/
Bulgaria — MUSICAUTHOR — https://www.musicautor.org/
Canadá — SOCAN — http://www.socan.com/
Chile — SCD — http://www.scd.cl/
Colombia — ACINPRO — https://www.acinpro.org.co/
Colombia — SAYCO — http://sayco.org/
Croacia — HDS — https://www.hds.hr/
República Checa — OSA — https://www.osa.cz/
Dinamarca — KODA — https://www.koda.dk/
Estonia — EAU — https://www.eau.org/
Finlandia — Teosto — https://www.teosto.fi/
Francia — SACEM — https://www.sacem.fr/
Alemania — GEMA — https://www.gema.de/
Hong Kong — EFECTIVO — https://www.cash.org.hk/
Hungría — ARTISJUS — https://www.artisjus.hu/
India — IPRS — https://www.iprs.org/
Israel — ACUM — https://acum.org.il/
Italia — SIAE — https://www.siae.it/
Japón — JASRAC — https://www.jasrac.o.jp/
Malasia — MACP — https://www.macp.com.my/
México — SACM — https://www.sacm.org.mx/
Nepal — MRCSN — https://norcode.no/
Países Bajos — BUMA — https://www.bumastemra.nl/
Nueva Zelanda — APRA — https://apraamcos.co.nz/
Noruega — TONO — https://www.tono.no/
Perú — APDAYC — http://www.apdayc.org.pe/
Filipinas — FILSCAP — https://filscap.com.ph/
Polonia — ZAIKS — https://zaiks.org.pl/
Puerto Rico — ACEMLA — https://acemla.com/
Rumanía — UCMR — https://ucmr-ada.ro/
Rusia — RAO — https://rao.ru/
Serbia — SOKOJ — https://www.sokoj.rs/
Singapur — BRÚJULA — http://compass.org.sg/
Eslovaquia — SOZA — http://www.soza.sk/
Sudáfrica — SAMRO — https://www.samro.org.za/
Corea del Sur — KOMCA — https://www.komca.o.kr/
España — SGAE — http://www.sgae.es/
Suecia — STIM — https://www.stim.se/
Suiza — SUISA — https://www.suisa.ch/
Taiwán — DEBE — https://www.must.org.tw/
Tailandia — MCT — http://www.mct.in.th/
Trinidad — COTT — http://www.cott.org.tt/
Ucrania — UACRR — http://uacrr.org.ua/
Reino Unido — PRS — https://prsfoundation.com/
Estados Unidos de América — ASCAP — https://www.ascap.com/
Estados Unidos de América — IMC — https://www.bmi.com/
Uruguay — AGADU — https://www.agadu.org/
Venezuela — SACVEN — http://sacven.org/
Barbados — COSCAP — https://coscap.org/
Costa Rica — ACAM — https://www.acam.cr/
Ecuador — SAYCE — https://sayce.com.ec/
Guatemala — AEI — https://www.aeiguatemala.org/
Indonesia — WAMI — https://www.wami.id/
Jamaica — JACAP — https://www.jacapjamaica.com/
Macedonia — ZAMP — https://zamp.com.mk/
Portugal — SPA — https://www.spautores.pt/
Turquía — MSG — https://msg.org.tr/
Yes, depending on your current setup. Existing registrations do not automatically prevent publishing administration, but they do require review so the rights flow is handled correctly.
We assign and manage your ISWC (International Standard Musical Work Code) — the unique fingerprint that identifies your musical work and links it to your earnings.
You generally need accurate song titles, writer information, ownership splits, PRO status, catalog details, and confirmation that you control or are authorized to manage the relevant rights.
Unless otherwise specified in a separate contract:
90% to the client.
10% to UMW Song Assets for publishing administration.
The royalty share is calculated on the net income actually received by UMW, after applicable deductions for collecting societies, collecting societies, taxes, currency conversions, bank charges, and other contractually authorized discounts.
UMW does not guarantee that a composition will generate royalties, that all its uses can be identified, or that external entities will make payments within a specified period.
That should only happen if a separate written agreement expressly states it. As presented publicly, the publishing page is positioned as administration and royalty support rather than ownership transfer.
UMW coverage for audiovisual licensing/synchronization and lists example platforms like Netflix, Prime Video, YouTubeTV, HBO Max, Apple TV, and Disney+ as covered on the publishing allies section.
Performance (Public Performance): TV, radio, shows, venues, some platforms.
Mechanics: Streams/downloads + some digital uses.
Sync: Licenses for series, films, ads, video games.
YouTube/UGC: Monetization and claims (if applicable)
The initial term of the Publishing Services Agreement is one (1) year from the effective date. The Agreement will automatically renew for successive one-year periods unless either party provides written notice of non-renewal at least thirty (30) days before the end of the then-current term.
Publishing royalty timing depends on registrations, reporting cycles, collection societies, sub-publishers, and the territories involved. Publishing income does not always move at the same speed as DSP master royalties.
UMW Song Assets is a publishing management unit operated by UMW RECORDINGS, INC. S.A.S. Contact Us
Audiovisual Licensing & Synchronization
Your songs are tracked and monetized in TV shows, movies, advertisements, documentaries, and internet videos. Platforms like Netflix, Prime Video, YouTubeTV, HBO Max, Apple TV, and Disney+ are fully covered.
Digital & Online Monetization
Earn royalties from websites, YouTube content, and on-demand services that use your music, even without a direct contract. We manage usage rights and ensure you’re paid for every play, stream, and sync.
Mechanical & Phonomechanical Royalties
Your recordings are protected under phonomechanical rights, meaning every reproduction (CDs, downloads, etc.) is monetized. We manage these earnings through all official music repositories and stores.
Radio & Global Repositories
From radio airplay to in-store usage and global song databases, we register your works where others don’t. UMW ensures your music is present and protected — even in niche or non-digital markets.
We protect and manage your copyright (composition: lyrics + melody). We register your works, organize splits, handle claims, and collect mechanical, live performance, and synchronization royalties (depending on reach and territory).This includes metadata tracking and transparent reporting.
Tips 1
Registration of works (composition: lyrics + melody) and splits
Tips 2
Administration of mechanical and public performance royalties
Tips 3
Claims and correction of metadata (titles, authors, %)
Tips 4
Cue sheet tracking (TV/streaming) when applicable