Real-Time Publishing
Monitor catalog activity, registrations and royalty movements in real time to optimize collection performance.
If your music is being distributed and performed worldwide, chances are you’re missing out on unclaimed publishing royalties. Without a publishing agreement, your earnings may be sitting in global collection societies — just waiting for you to claim them.
Keep track of your current catalog and future releases.
Copyright Protection
We register your songs with global copyright and collection societies to ensure your rights are legally protected.
Royalty Collection Tools
Our advanced platform automatically tracks, collects, and distributes your music publishing royalties with full transparency.
High Payouts (90%)
You keep 90% of the royalties generated from your songs. We only take 10% — no hidden fees, ever.
Global Royalty Withdrawals
Easily withdraw your earnings via bank transfer or PayPal. Quick, safe, and always accessible.
100% Ownership of Creations
You retain full ownership of your compositions, recordings, and publishing rights. Your music. Your terms.
Verified Song Registrations
Your works are auto-verified across databases for faster detection, more matches, and higher royalty payouts.
Apply for publishing administration and royalty collection.
Please share accurate catalog and rights details so we can review your application faster.
Request editorial management to register your works, collect publishing royalties, and maintain ownership of your compositions. Provide accurate catalog and rights information so we can evaluate your request.
Clear answers about works registration, PROs, publishing royalties, and administration.
UMW Song Assets is a publishing administration and rights-support service designed to help register works, manage metadata, support royalty collection, and improve visibility over publishing income.
Yes. Distribution relates mainly to the sound recording and the delivery of releases to DSPs. Publishing relates to the composition, songwriters, splits, registrations, and publishing royalties.
A Performing Rights Organization (PRO) collects royalties on behalf of composers and publishers.UMW Global Rights works directly with top PROs like ASCAP, BMI, SESAC, SOCAN, PRS, GEMA and many others, ensuring you never miss a payment — no matter where it comes from.
Below is a current list of some PROs for different countries.
Argentina — SADAIC — https://www.sadaic.org.ar/
Australia — APRA — https://apraamcos.com.au/
Austria — AKM — https://www.akm.at/
Bélgica — SABAM — https://www.sabam.be/
Bulgaria — MUSICAUTHOR — https://www.musicautor.org/
Canadá — SOCAN — http://www.socan.com/
Chile — SCD — http://www.scd.cl/
Colombia — ACINPRO — https://www.acinpro.org.co/
Colombia — SAYCO — http://sayco.org/
Croacia — HDS — https://www.hds.hr/
República Checa — OSA — https://www.osa.cz/
Dinamarca — KODA — https://www.koda.dk/
Estonia — EAU — https://www.eau.org/
Finlandia — Teosto — https://www.teosto.fi/
Francia — SACEM — https://www.sacem.fr/
Alemania — GEMA — https://www.gema.de/
Hong Kong — EFECTIVO — https://www.cash.org.hk/
Hungría — ARTISJUS — https://www.artisjus.hu/
India — IPRS — https://www.iprs.org/
Israel — ACUM — https://acum.org.il/
Italia — SIAE — https://www.siae.it/
Japón — JASRAC — https://www.jasrac.o.jp/
Malasia — MACP — https://www.macp.com.my/
México — SACM — https://www.sacm.org.mx/
Nepal — MRCSN — https://norcode.no/
Países Bajos — BUMA — https://www.bumastemra.nl/
Nueva Zelanda — APRA — https://apraamcos.co.nz/
Noruega — TONO — https://www.tono.no/
Perú — APDAYC — http://www.apdayc.org.pe/
Filipinas — FILSCAP — https://filscap.com.ph/
Polonia — ZAIKS — https://zaiks.org.pl/
Puerto Rico — ACEMLA — https://acemla.com/
Rumanía — UCMR — https://ucmr-ada.ro/
Rusia — RAO — https://rao.ru/
Serbia — SOKOJ — https://www.sokoj.rs/
Singapur — BRÚJULA — http://compass.org.sg/
Eslovaquia — SOZA — http://www.soza.sk/
Sudáfrica — SAMRO — https://www.samro.org.za/
Corea del Sur — KOMCA — https://www.komca.o.kr/
España — SGAE — http://www.sgae.es/
Suecia — STIM — https://www.stim.se/
Suiza — SUISA — https://www.suisa.ch/
Taiwán — DEBE — https://www.must.org.tw/
Tailandia — MCT — http://www.mct.in.th/
Trinidad — COTT — http://www.cott.org.tt/
Ucrania — UACRR — http://uacrr.org.ua/
Reino Unido — PRS — https://prsfoundation.com/
Estados Unidos de América — ASCAP — https://www.ascap.com/
Estados Unidos de América — IMC — https://www.bmi.com/
Uruguay — AGADU — https://www.agadu.org/
Venezuela — SACVEN — http://sacven.org/
Barbados — COSCAP — https://coscap.org/
Costa Rica — ACAM — https://www.acam.cr/
Ecuador — SAYCE — https://sayce.com.ec/
Guatemala — AEI — https://www.aeiguatemala.org/
Indonesia — WAMI — https://www.wami.id/
Jamaica — JACAP — https://www.jacapjamaica.com/
Macedonia — ZAMP — https://zamp.com.mk/
Portugal — SPA — https://www.spautores.pt/
Turquía — MSG — https://msg.org.tr/
Yes, depending on your current setup. Existing registrations do not automatically prevent publishing administration, but they do require review so the rights flow is handled correctly.
We assign and manage your ISWC (International Standard Musical Work Code) — the unique fingerprint that identifies your musical work and links it to your earnings.
You generally need accurate song titles, writer information, ownership splits, PRO status, catalog details, and confirmation that you control or are authorized to manage the relevant rights.
You earn 90% of the publishing royalties. With real-time tools and transparent dashboards, you’ll see exactly how your works perform globally.
That should only happen if a separate written agreement expressly states it. As presented publicly, the publishing page is positioned as administration and royalty support rather than ownership transfer.
UMW coverage for audiovisual licensing/synchronization and lists example platforms like Netflix, Prime Video, YouTubeTV, HBO Max, Apple TV, and Disney+ as covered on the publishing allies section.
Performance (Public Performance): TV, radio, shows, venues, some platforms.
Mechanics: Streams/downloads + some digital uses.
Sync: Licenses for series, films, ads, video games.
YouTube/UGC: Monetization and claims (if applicable)
1 year, which will automatically extend for additional periods of one (1) year unless terminated by either party by written notice not less than thirty (30) days before the end of the then-current term
Publishing royalty timing depends on registrations, reporting cycles, collection societies, sub-publishers, and the territories involved. Publishing income does not always move at the same speed as DSP master royalties.
Have any further questions about UMW Song Assets? Contact Us
Audiovisual Licensing & Synchronization
Your songs are tracked and monetized in TV shows, movies, advertisements, documentaries, and internet videos. Platforms like Netflix, Prime Video, YouTubeTV, HBO Max, Apple TV, and Disney+ are fully covered.
Digital & Online Monetization
Earn royalties from websites, YouTube content, and on-demand services that use your music, even without a direct contract. We manage usage rights and ensure you’re paid for every play, stream, and sync.
Mechanical & Phonomechanical Royalties
Your recordings are protected under phonomechanical rights, meaning every reproduction (CDs, downloads, etc.) is monetized. We manage these earnings through all official music repositories and stores.
Radio & Global Repositories
From radio airplay to in-store usage and global song databases, we register your works where others don’t. UMW ensures your music is present and protected — even in niche or non-digital markets.
We protect and manage your copyright (composition: lyrics + melody). We register your works, organize splits, handle claims, and collect mechanical, live performance, and synchronization royalties (depending on reach and territory).This includes metadata tracking and transparent reporting.
Tips 1
Registration of works (composition: lyrics + melody) and splits
Tips 2
Administration of mechanical and public performance royalties
Tips 3
Claims and correction of metadata (titles, authors, %)
Tips 4
Cue sheet tracking (TV/streaming) when applicable