Works & Registrations
View active compositions, writer records and registration status for UMW Song Assets catalog administration.
Through UMW Song Assets, authors, composers, producers, artists, record labels and catalog owners can request the editorial management of their compositions and their inclusion in the repertoire managed by UMW, in accordance with applicable contracts, mandates and authorizations.
Recording and documentation of compositions
Rights Registration
UMW Song Assets supports eligible work and repertoire registrations with applicable publishing, collection and rights-management systems. These registrations can strengthen metadata, ownership records and royalty matching.
Publishing Royalty
UMW Song Assets helps organize work registrations, royalty collection data, publishing statements and eligible payout information for songwriters and rights holders.
Publishing Payouts (90%)
You keep 90% of the net publishing royalties collected through UMW Song Assets. UMW retains 10% as a publishing administration fee. This applies to publishing/composition royalties and is separate from distribution/master recording royalties.
Publishing Royalty Payouts
Access collected publishing royalties through secure payout options, subject to reporting cycles, minimum payout thresholds, compliance checks and the Publishing Services Agreement.
Publishing Administration Only
You retain ownership of your compositions, recordings, and rights. UMW Song Assets provides publishing administration and royalty collection support; it does not transfer ownership of your music. The 90% publishing payout refers to collected net publishing royalties, not ownership.
Verified Song Registrations
Your works are reviewed and registered with accurate metadata to improve identification across databases, increase royalty matching, and support stronger publishing income collection.
UMW Song Assets administers eligible publishing rights through applicable societies, mechanical agencies, collection organizations, subpublishers and authorized rights-management routes according to each client's mandate, repertoire, territory and right type.
Audiovisual Licensing & Synchronization
UMW Song Assets may administer eligible synchronization and audiovisual publishing rights for films, television, advertising, documentaries, games, online video and other audiovisual productions, subject to the applicable mandate, territory, rights, licensing route and client approval.
Digital & Online Monetization
UMW Song Assets administers eligible publishing rights and collection data across applicable sources and territories. Collection depends on accurate registrations, reported usage, licensing arrangements, applicable rights, society or partner processing, and source availability. UMW does not guarantee that every use will be identified, matched or collected.
Mechanical & Phonomechanical Royalties
UMW Song Assets may administer eligible mechanical and reproduction rights in musical compositions through the territories, societies, agencies, subadministrators and licensing routes covered by the applicable Publishing Order.
Radio & Global Repositories
UMW Song Assets may register or administer eligible works through supported societies, subadministrators, repertoire databases and rights-management routes. Coverage depends on territory, right type, catalog eligibility, available mandates and reporting sources.
At our company, we review and select music synchronization opportunities for film, television, streaming platform productions (such as Netflix, Max, or Disney+), video games, advertising, trailers, digital media, and branded content. Eligible music from our catalog can be evaluated for potential placement based on catalog style, rights ownership verification, license availability, approval requirements, territory, production needs, and commercial demand.
We protect and manage your copyright (composition: lyrics + melody). We register your works, organize splits, handle claims, and collect mechanical, live performance, and synchronization royalties (depending on reach and territory).This includes metadata tracking and transparent reporting.
Tips 1
Registration of works (composition: lyrics + melody) and splits
Tips 2
Administration of mechanical and public performance royalties
Tips 3
Claims and correction of metadata (titles, authors, %)
Tips 4
Cue sheet tracking (TV/streaming) when applicable
Apply for publishing administration and royalty collection.
Please share accurate catalog and rights details so we can review your application faster.
Do you have questions about how we protect and monetize your music? Here you'll find everything you need to know about how UMW Song Assets manages your performance rights, mechanical reproductions, sync licensing, and global royalty tracking.
We process the editorial information of each work, including:
Title of the composition.
Authors and composers.
Participation percentages.
Editor or editorial administrator.
IPI or CAE code, when applicable.
ISWC code, when available.
Performers and related recordings.
Authorized versions, adaptations and derivative works.
Territories and rights included in the mandate.
Evidence of ownership and related contracts.
Administration of public communication rights
We manage compositions that can generate royalties when used publicly in authorized media and venues, including, as applicable:
Radio.
Television.
Concerts and live performances.
Restaurants, nightclubs, and commercial establishments.
Public events.Digital services.
Online platforms and environments.
Other uses subject to collective licensing.
Yes. Distribution relates mainly to the sound recording and the delivery of releases to DSPs. Publishing relates to the composition, songwriters, splits, registrations, and publishing royalties.
A Performing Rights Organization (PRO) collects royalties on behalf of composers and publishers. UMW Song Assets supports work registrations, metadata accuracy and publishing royalty collection through recognized PROs and collection partners, helping improve royalty matching, reporting visibility and collection opportunities across eligible territories.
Below is a current list of some PROs for different countries.
Argentina — SADAIC — https://www.sadaic.org.ar/
Australia — APRA — https://apraamcos.com.au/
Austria — AKM — https://www.akm.at/
Bélgica — SABAM — https://www.sabam.be/
Bulgaria — MUSICAUTHOR — https://www.musicautor.org/
Canadá — SOCAN — http://www.socan.com/
Chile — SCD — http://www.scd.cl/
Colombia — ACINPRO — https://www.acinpro.org.co/
Colombia — SAYCO — http://sayco.org/
Croacia — HDS — https://www.hds.hr/
República Checa — OSA — https://www.osa.cz/
Dinamarca — KODA — https://www.koda.dk/
Estonia — EAU — https://www.eau.org/
Finlandia — Teosto — https://www.teosto.fi/
Francia — SACEM — https://www.sacem.fr/
Alemania — GEMA — https://www.gema.de/
Hong Kong — EFECTIVO — https://www.cash.org.hk/
Hungría — ARTISJUS — https://www.artisjus.hu/
India — IPRS — https://www.iprs.org/
Israel — ACUM — https://acum.org.il/
Italia — SIAE — https://www.siae.it/
Japón — JASRAC — https://www.jasrac.o.jp/
Malasia — MACP — https://www.macp.com.my/
México — SACM — https://www.sacm.org.mx/
Nepal — MRCSN — https://norcode.no/
Países Bajos — BUMA — https://www.bumastemra.nl/
Nueva Zelanda — APRA — https://apraamcos.co.nz/
Noruega — TONO — https://www.tono.no/
Perú — APDAYC — http://www.apdayc.org.pe/
Filipinas — FILSCAP — https://filscap.com.ph/
Polonia — ZAIKS — https://zaiks.org.pl/
Puerto Rico — ACEMLA — https://acemla.com/
Rumanía — UCMR — https://ucmr-ada.ro/
Rusia — RAO — https://rao.ru/
Serbia — SOKOJ — https://www.sokoj.rs/
Singapur — BRÚJULA — http://compass.org.sg/
Eslovaquia — SOZA — http://www.soza.sk/
Sudáfrica — SAMRO — https://www.samro.org.za/
Corea del Sur — KOMCA — https://www.komca.o.kr/
España — SGAE — http://www.sgae.es/
Suecia — STIM — https://www.stim.se/
Suiza — SUISA — https://www.suisa.ch/
Taiwán — DEBE — https://www.must.org.tw/
Tailandia — MCT — http://www.mct.in.th/
Trinidad — COTT — http://www.cott.org.tt/
Ucrania — UACRR — http://uacrr.org.ua/
Reino Unido — PRS — https://prsfoundation.com/
Estados Unidos de América — ASCAP — https://www.ascap.com/
Estados Unidos de América — BMI — https://www.bmi.com/
Uruguay — AGADU — https://www.agadu.org/
Venezuela — SACVEN — http://sacven.org/
Barbados — COSCAP — https://coscap.org/
Costa Rica — ACAM — https://www.acam.cr/
Ecuador — SAYCE — https://sayce.com.ec/
Guatemala — AEI — https://www.aeiguatemala.org/
Indonesia — WAMI — https://www.wami.id/
Jamaica — JACAP — https://www.jacapjamaica.com/
Macedonia — ZAMP — https://zamp.com.mk/
Portugal — SPA — https://www.spautores.pt/
Turquía — MSG — https://msg.org.tr/
Yes, depending on your current setup. Existing registrations do not automatically prevent publishing administration, but they do require review so the rights flow is handled correctly.
Identifiers displayed in UMW Core may include ISRC for the sound recording, ISWC for the musical work, and IPI/CAE information for applicable writers, composers and publishers. Availability depends on the relevant registration source and identifier system.
You generally need accurate song titles, writer information, ownership splits, PRO status, catalog details, and confirmation that you control or are authorized to manage the relevant rights.
Unless otherwise specified in a separate contract:
90% to the client.
10% to UMW Song Assets for publishing administration.
The client receives 90% and UMW retains 10% of Net Publishing Revenue. Net Revenue means Gross Revenue received less permitted deductions (taxes, society fees, registration costs, refunds, currency conversions, and payments to other rights holders)
That should only happen if a separate written agreement expressly states it. As presented publicly, the publishing page is positioned as administration and royalty support rather than ownership transfer.
UMW Song Assets administers eligible synchronization and audiovisual publishing rights for represented works across film, television, streaming productions, advertising, games, trailers, digital media and branded content. Licensing and royalty administration may be carried out through applicable publishing mandates, collective-management societies, licensing agencies, subpublishers, production relationships and other authorized rights-management routes.
Eligible works may be considered for licensing opportunities based on the rights controlled, territory, production requirements, availability of the master and composition rights, client approval and the terms of the applicable license.
Performance / Public Performance
Radio, television, concerts, venues, events, certain platforms, and other uses of public communication.
Mechanical / Reproduction
Streaming, downloads, digital reproduction, and other mechanical/reproductive uses, depending on the territory and legal requirements.
Synchronization
Licensing of the composition for films, series, advertising, documentaries, video games, and other audiovisual works.
Digital / YouTube / Terms of Use
Reproduction, public communication, making available, and, where applicable, identification, monetization, or claims.
The standard Administration Period is twelve (12) months from the effective date, unless the applicable Publishing Order expressly specifies a different term. Automatic renewal applies only when it is expressly included in and accepted through the Publishing Order. Where automatic renewal applies, UMW Song Assets provides advance notice in accordance with the Publishing Services Agreement. Termination and post-termination settlement are governed by the applicable Publishing Order and Publishing Services Agreement.
Publishing royalty timing depends on registrations, reporting cycles, collection societies, sub-publishers, and the territories involved. Publishing income does not always move at the same speed as DSP master royalties.
UMW Song Assets is a publishing management unit operated by UMW RECORDINGS, INC. S.A.S. Contact Us